If I were to film my own version of the Keep on Walking music video by Passenger, I would defiantly film some here at Abingdon Fair!
Sunday, 13 October 2013
We Didn't Start the Fire - Billy Joel
We
Didn't Start The Fire – Billy Joel
Music Review
We
Didn't Start the Fire, by Billy Joel came out in 1989 and was a
number 1 hit in the US, The music video is 4:06 long and mainly
consists of an obscure narrative . The video, Directed by Chris Blum shows a family domestic
kitchen that changes through time; Starting in 1940s with a
utilitarian look, then to 1950s with the futuristic architecture,
next is the 1960s with the OP art, then earth pastel colours and
macramé in 1970s and then finally black lacquer with granite benches
in 1980s. The constant revamp of this kitchen is to symbolise the
movement and change in time, I thank that the aesthetics of the set
are fantastic and really represent those years with detail.
“We didn't start the fire
It was always burning
Since the world's been turning
We didn't start the fire
No we didn't light it
But we tried to fight it”
It was always burning
Since the world's been turning
We didn't start the fire
No we didn't light it
But we tried to fight it”
In
reference to time, the video links to the lyrics incredibly well,
this is because the lyrics consist of major headlines from 1940s
right through to the 1960s, for example “Marilyn Monroe”, “The
Catcher in the Rye” and “England’s got a new Queen”. As Billy
is singing the lyrics the kitchen and the family inside are
constantly changing through the ages, for example; as I have
mentioned, the kitchen is revamped, but also their clothes change,
the hair styles transform and the children grow.
The
video is broken into two locations, just like 'Clown' by Emile Sande.
The First location is the domestic kitchen and the second is a room
with a table that Joel sits at while iconic propaganda photographs
burn behind him; hence the lyric 'Fire'. The Second room has a very
different theme to the kitchen; the difference is in the atmosphere,
for example, the kitchen is mainly calm and family orientated;
however the room with the table is dangerous and crewel with fire.
This connotes confusion and two sidedness that is often linked with
most of the 20th Century.
In
terms of camera movement, the video is filmed with the camera mostly
in lock down, I like this as sometimes the movement of the camera
takes away the impact of the message from the singer.
I
really like this music video from a both a historical side and the
way that it has been produced, I like how there is an interesting
video to match some interesting lyrics, The way that the famous
headlines have been displayed in the room with the table is shown as
both iconic moments and the past to be forgotten.
Great music video with interesting themes and ideas to represent the lyrics by Billy Joel
Clown - Behind the scenes filming the music video
Here is the Behind the scenes video for 'Clown' by Emile Sandé I got some ideas for my review from here.
https://www.youtube.com/watch?v=l0Xm_g6tBTs
Tuesday, 8 October 2013
Clown - Emile Sandé
Emile Sandé - Clown Music Video
Clown - Emile Sandé
Clown was released on YouTube on 6th December 2012, it is a huge success gathering a total of 9,654,225 views. The video was directed by WIZ and was made to represent the song lyrics as a silent film. The song describes Sandé’s first experiences with the music industry when she is searching for a record label to sign her; this is shown by a group of men in military uniforms constantly holding a document in front of her, this represents the label and the men represent the music industry. The fact that they are wearing military uniforms creates the feeling of strictness and formality associated with top business men.
Clown - Emile Sandé
Clown was released on YouTube on 6th December 2012, it is a huge success gathering a total of 9,654,225 views. The video was directed by WIZ and was made to represent the song lyrics as a silent film. The song describes Sandé’s first experiences with the music industry when she is searching for a record label to sign her; this is shown by a group of men in military uniforms constantly holding a document in front of her, this represents the label and the men represent the music industry. The fact that they are wearing military uniforms creates the feeling of strictness and formality associated with top business men.
"It’s about not allowing yourself to be judged by others or
to be taken for an idiot. I feel the video reflects that.” – Emile Sandé
I think that the black and white, silent film effect allows
the viewers to really understand what is going on without the use of
distracting colours, this connotes a coldness in the room with no passion or
love. Furthermore the video was shot on
35mm film, this gives a more nostalgic look that links in with the lyrics sing
by Sandé.
The Videos camera angles vary from: close up, medium close
up, extreme close up, wide shot and over-the-shoulder shot. The use of different
angles allows for an interesting pathway of the journey Sandé takes from the
door to her signing the document. There are two different shot locations in the
video; these are the main room with the men and a dark wall that Sandé stands in
front of when she sings. I like that the video is not crowded with locations as
this would not suet the genre of the song, however in comparison to ‘Keep on
Walking’ by Passenger, there is a lot of locations as this suits both the rhythm
of the song and the meaning.
The two locations are used for different reasons for example,
the big room is used for the narrative of signing the document, but the second
location is used for the live actions of Sandé singing the lyrics of Clown.
I really liked the style of the video and the way that the tune
has been relayed through a story. The silent film and black and white effect was
good and allowed the viewer to get closer to the meaning of the song without
getting caught up with over-powering visual effects and colours.
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